# Music from the Stars - How would a star-sound-machine work?

In my fictional setting, part of the civilization has a strong astronomical alignment. Religion and Science are hard to distinguish and new scientific discoveries strengthen it´s faith in the heavenly bodies. Photography has not yet been invented, so besides hand drawings, my civilizaton uses musical patterns as a method of recording and displaying astronomical movements and events. Instead of churches or temples, people use observatories to exercise their religion. And instead of an organ or such to accompanie liturgy (entirety of Christian and Jewish ceremonies and rites) , priests are dedicated to “program” a gigantic instrument, in order to display all (or as many as possible) visible celestial bodies and effects, each with a tone.

So there's a constant sounded backdrop in the observatory/church/temple constantly changing it´s sound patterns, abruptly or in small nuances. Long serving sound-priests develop such a fine hearing, that they can recognize how the nocturnal sky currently looks like, just be listening to the music. For the purpose of celebrating important but bygone astronomical events (e.g. supernovae, comets, planetary alignments), the star-sound-machine can somehow recap archived music sections or the machine can be reprogrammed by a sound priest.

Musica universalis or music of the spheres is an invention already made in pythagorean ages, but is not to be taken literally as audible music: “The Music of the Spheres incorporates the metaphysical principle that mathematical relationships express qualities or "tones" of energy which manifest in numbers, visual angles, shapes and sounds – all connected within a pattern of proportion.” A lot of references can be found in ancient, classical and modern music, but as far as I know, none took the approach literally and consists of REAL Music composed by the stars.

The question: How does the star-sound-machine work, how does it look like, how does it sound?

What it should accomplish and general conditions:

• just mechanical solutions, no computers or electric sound
• no orchestra or any instruments directly played by people
• I do not expect exact blueprints for the machine (not yet ;-) ), just the idea of how it might work.
• the music reproduced does not need to be a well structured 4/4 rhythm, but it should be perceived as harmonic in the broadest sense. (Although i guess a meteor shower makes a fast, weird and possibly boppy disco sound)
• the origin of a tone inside the observatory (I mean the localization; the spot, where it is produced and emitted) should be taken into account, as it makes the sound 3D and thus more complexity viable. The observatory should be used as a sound body and its architectural peculiarities support the tone’s nature, quality and localization. I like to think of it as 360-degree full-dome soundshow in a planetarium - just in the renaissance.
• the civ. has a sol-centric perception of the solar system
• My world is not earth, but for simplicity's sake let's take an earth centered (not centric) perception of the universe as basis for the idea.
• “Good” music is more important, than astronomical empiricism
• optional: the machine is quite big, and it's mechanisms are visible to the audience.
• What's wrong with an organ connected to a clockwork-driven planetarium? Organs were developed since the Late Antiquity and the Antikythera mechanism is a serviceable planetarium. – AlexP Dec 20 '17 at 14:00
• How advanced is the sound-machine technology ? can several instruments be automated, or just some basic ones ? how big exactly is ? – Kepotx Dec 20 '17 at 14:06
• @Kepotx: I prefer to see it as one big instrument. It does not matter, if it consists of strings, organs, trumpets or all of them. But it should not be an automated orchestra with separated, classical instruments. – Aertemis Dec 20 '17 at 14:18
• @AlexP: Antikythera mechanism migth work like a primitive mechanism behind the "main-instruments". As fas as I understood the Antikythera mechanism, it just can display periodic things like the solar or lunar calendar. That would definitely be too simple. – Aertemis Dec 20 '17 at 14:43
• “Religion and Science are hard to distinguish” How so? If they can write/record/state a proof of something it is science, otherwise it's religion. – Andrea Lazzarotto Dec 21 '17 at 0:10

# Use a bellows-powered organ

The setup:

• A large ring. A second, thicker ring slowly rotates above it, covering half of the ring at all times.
• $N$ organ pipes of varying lengths, where $N$ is the number of celestial bodies you want to track. Each pipe has air pushed through it by a double-acting piston bellows, so there is a continuous flow of air at all times. A good description and image of these bellows can be found here.
• The bellows are connected to steam engines, which drive pistons which in turn drive the bellows.

Each pipe plays a single, continuous note. The pipes are arranged such that nearby objects in the sky are represented by pipes near each other; they are uncovered when they are visible at night and covered when they go below the horizon. The notes are arranged so that there is a sort of continuity between nearby pipes. The brighter the object (in general), the louder the note.

# Central cross-section

Here is how I imagine this would look:

## First level

Here, you have the ground floor. This has auxiliary equipment, hopefully a small catalog filled with celestial data and calculations, sky maps, etc., as well as a helpful ladder to get to the higher floors.

## Second level

This contains the bulk of the machinery: Steam engines. The ones on the sides each power 1-5 pipes (maybe more). The black lines and circles represent a crude drawing of gears and shafts to make pistons on the third level more in an out.

## Third level

This contains the pipes (in orange) as well as the bellows. The bellows release air into the pipes as the pistons move in and out; the flow should be continuous. The small brown rectangles show that one of the two pipes shown is covered, while the other is not. The light gray thing is the structural supports for the ring; the central shaft rotates, moving the ring with it.

# The ring

As promised, here is a better visualization of the ring - which is sort of like a mute. At any time, it is covering half of them, blocking the sounds from them. The exposed pipes represent the stars in the sky.

The ring rotates, slowly uncovering and covering pipes as time goes by and the planet rotates. Here is what it looks like, from the top:

I believe this idea satisfies all of the requirements. It's automated and completely mechanical; humans will need to stoke the fires, but that can be done when an object is not visible. The ring may actually need to be made into multiple rings if different objects move at different speeds across the celestial sphere, but that can be done without too much trouble.

• Sorry, I just read this a second time, but I don't understand what the mechanism is that determine what pipes get played at what times. The bellows and steam engine blows the pipes, but what selects the pipe and sound volume to be blown? – kingledion Dec 20 '17 at 18:08
• @kingledion So, the ring-shaped covering covers (essentially muting) pipes that represent stars that aren't visible. It rotates constantly, to represent how the Earth rotates, making stars appear to rise and set. Additionally, human operators could let the steam engines die down when their stars are not visible, then increase fuel again when the stars become visible. The volume would ideally be preset, determined by the quantity of air stored in each bellows and the rate at which it is expelled. – HDE 226868 Dec 20 '17 at 18:11
• I suppose I'm thinking of something akin to a mute, albeit one that covers many pipes at once. – HDE 226868 Dec 20 '17 at 18:16
• @hde-226868 You really put a lot of work into your graphical presentation. Possibly due to lack of imagination, I don´t understand, how the moving ring interacts with the pipes. Is it a rotating disc with several circular openings representing stars? And when passing above a pipe, the pipe whistle through the openings? – Aertemis Dec 20 '17 at 20:26
• @Aertemis Let me make a better diagram of the ring itself, from the top. I'll get back to you in a bit. – HDE 226868 Dec 20 '17 at 20:28

### How to make a sound

A speaker works on the principles of magnetism. An electric signal is applied to a coil suspended inside a permanent magnet (basically, a piece of iron). As the current varies, the coil vibrates. The coils is then attached to a cone so that the vibrations it creates propagate through the air as sound. Alternately, the vibrating coil can be placed next to a tuning fork or chime so that the vibration chimes the tuning fork; or even something as simple as striking a piano string.

The simplest antenna works by intercepting a radio wave in the air. In general, a straight line antenna that is half the length of the radio waves will have a current induced in it by those waves. This current can then be directed to a speaker to make some noise.

There are plenty. Of particular interest are magnetically active gas giants like Jupiter, and main sequence radio stars, although these are evidently very rare (as in, less than 1 in a million main-sequence stars). Still, rare doesn't mean impossible. Also, there is the phenomenon of an astrophysical maser, which, while usually microwave, can be a radio emission form a stellar atmosphere.

For primitive equipment, you will need large radio sources. Here are two options.

• Your star is a heavy radio emitter. Your planet orbits outside of one or more gas giants with orbital periods of days. These large planets block or distort the radio emissions so the music is changing every day.

• Your planet is a moon orbiting a gas giant with a huge magnetic field and a plasma ring trapped by that field. This generates lots of radio emissions. There are also several other moons (maybe with salty-icy oceans) that circle the gas giant, and their motion stirs up the plasma torus and disrupts the magnetic field in a way that produces music.

### How to make music

The signals received by the antenna can be split and sent through a (large) set of band pass filters. Thus each frequency band will then send its signal to the appropriate chime which with then sound at a certain frequency. This will make a sound in the same way a pipe organ does, with one sound making instrument for each frequency.

Since the bandpass filter at a certain radio frequency is connected to a sound-making instrument at certain audio frequency, there are a large number of combinations of ways to convert cosmic radio signals into music. The priests could have spend millenia finding the perfect combinations.

### Meeting all the criteria

• Constant sound backdrop constantly changing patters: Yes. Cosmic radiation will meet these criteria.

• Bygone astronomical events: Use a phonograph for each individual chime. A stylus will cut into a wax or clay cylinder the pattern of music for that chime, using the same signal that drives the chime. Then, if an event is deemed worthy, the cylinders for all of the hundreds of chimes are cast in bronze and kept to play back later.

• Just mechanical solutions: um....well...the simplest antenna is just a thin rod sticking up into the air, and the simplest speaker is a coil of copper wire around an iron core. The real solution to making it more mechanical is driving multiple chimes (as in, hundreds) at the same time. The vibrating coils will present a mechanical appearance.

• Music should be harmonic: You can listen to space sounds. They can be pretty cool, and the priests can spend the time to make them cooler.

• 3D music: With hundreds of chimes, the music can be arranged inside the observatory as the priests see fit.

• Great answer. I especially like the idea of recording via phonograph. Concerning the antena, speaker and band pass filters: is an electric current absolutely necesary to make them work? I would prefer the star-sound-machine to work completely without any electricity. – Aertemis Dec 20 '17 at 15:34
• @Aertemis I spent some time thinking about how that may be done. Ultimately, I can't see any way to transmit a motive force from the heavens to a planet without radio (or other EM radiation); and no way to turn radio into sound without electricity. On the other hand, if you hook up an antenna to a coil inside a magnet (by accident?) it will just start vibrating. You don't have to know that there is electric current flowing for this to work. Although, its pretty hard to justify a band-pass filter in that case. – kingledion Dec 20 '17 at 15:37
• @Aertemis Sorry, still thinking about this. The band-pass filter is not necessary, but without it you lose the ability to translate heavenly frequencies to audible ones. Without those filters, you get whatever you get out of space, which may or may not sound beautiful. I added that concept so that the priests would have work to do 'tuning' the cosmic noises to something pleasant to the human ear. – kingledion Dec 20 '17 at 15:58
• This is very nice, but I see two issues: I did not understand how you propose to convert RF to BB (audible) frequencies without a mixer(en.wikipedia.org/wiki/Frequency_mixer), and I also think that there is no way you can harvest enough power from the cosmic radiation to produce something audible. You need some other power source, 100%. – Vladimir Cravero Dec 20 '17 at 16:54
• Worth adding to the cosmic radio sources: If your sources are powerful enough and useful enough (such as very consistent), you can also expect evolution may have found a way to leverage them. Perhaps a timekeeping. Some radio frequencies may be hard to capture in organic objects, but shorter wavelengths might be very reasonable. – Cort Ammon Dec 20 '17 at 19:46

There seems to be a fairly obvious, and easy, implementation for this.

Let me introduce you to a player piano;

It's an automatic machine that plays a piano based on a preprogrammed tune recorded on paper or metal rolls. It's also how most musical boxes work.

To use it to make music from the stars the priests / scientists would make star charts that were actually tunes (this could perhaps even happen automatically to make sure any one off or unusual celestial phenomenon were captured) for the device.

The rolls probably wouldn't look exactly like the sky they represent, as the stars might need to be distorted to fit the rows properly, but they would probably be recognisable at least.
You would probably have a number of different rolls representing different periods of celestial objects, some might run faster than others or run constantly at a set speed and rhythm because they never / hardly ever change.

To make it more 'musical' the priests would tune the notes the stars played to make it more harmonic (so in a traditional piano the notes are arranged in some kind of logical scale, but in this case they would be moved around so the star charts made more pleasing noise). The separate rolls and periods of the sky could also hit different notes, so by separating them to multiple instruments you can make it more pleasing to listen to.

All the rolls (metal or paper, whichever was used) would be archived and could easily be played again when desired, copied if needed or transported to other locations.

The major problem is one of amplification. How can we get a very small signal (electromagnetic/light) and convert it into kinetic energy in the ranges that a person can hear? Essentially we have to build a microphone -> amplifier -> speaker system, and that's no small task for a primitive society.

So, microphone (ok, macrophone) first. What is coming from the sun that people can detect? Light mostly, but also heat. It is hard to get light to manipulate a (macro) physical system, but heat can make things move. So perhaps we can build a big array of bimetallic strips - they will bend when light falls on them. The reaction time is pretty low though (i.e. music will be constant for minutes at a time). With the aid of a big lens, you could make a 2d array of bimetallic strips that 'photographs' the sky into mechanical motion. Maybe with colored filters you could capture more (e.g. sunsets), or with extreme sensitivity you could perhaps get stars (rather doubtful), but even without them you would be able to get an input that varies with time of day, weather, and season.

Now you need to amplify it, as bimetallic strips aren't made for lots of pushing power. Maybe the bimetallic strips could manipulate valves that control air pressure (if you have a pressure source), or maybe regulate water flow. For this stage you do need an input of mechanical energy - heat from a fire driving a steam boiler, a waterwheel pushing bellows.

Finally we need to convert our amplified 'photograph' of the sky into sound. Humans know lots of way of making sounds. Air through pipes (organ), air over strings (Aeolian harp), drops of water hitting metal plates, the sky is your limit. I'd suggest air over strings, as it is a nice analog and somewhat ghostly sound.